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The stunning new novel from Clare Mackintosh, the international bestselling author of I Let You Go and I See You. The police say it was suicide. Anna says it was murder. They're both wrong. Last year, Tom and Caroline Johnson chose to end their lives, one seemingly unable to live without the other. Their daughter, Anna, is struggling to come to terms with her parents' deaths, unwilling to accept the verdict of suicide. Now with a baby herself, Anna feels her mother's absence keenly and is determined to find out what really happened to her parents. But as she digs up the past, someone is trying to stop her. Sometimes it's safer to let things lie....
The stunning new novel from Clare Mackintosh, the international bestselling author of I Let You Go and I See You. The police say it was suicide. Anna says it was murder. They're both wrong. Last year, Tom and Caroline Johnson chose to end their lives, one seemingly unable to live without the other. Their daughter, Anna, is struggling to come to terms with her parents' deaths, unwilling to accept the verdict of suicide. Now with a baby herself, Anna feels her mother's absence keenly and is determined to find out what really happened to her parents. But as she digs up the past, someone is trying to stop her. Sometimes it's safer to let things lie....
بسبب قيود الناشر، لا تستطيع المكتبة شراء نسخ إضافية من هذا العنوان، ونحن نعتذر إذا كانت هناك قائمة انتظار طويلة. تأكد من التحقق من وجود نسخ أخرى، لأنه قد تكون هناك طبعات أخرى متاحة.
بسبب قيود الناشر، لا تستطيع المكتبة شراء نسخ إضافية من هذا العنوان، ونحن نعتذر إذا كانت هناك قائمة انتظار طويلة. تأكد من التحقق من وجود نسخ أخرى، لأنه قد تكون هناك طبعات أخرى متاحة.
مقتطفات-
From the book
CHAPTER
ONE
Death does not suit me. I wear it like a borrowed coat; it slips off my shoulders and trails in the dirt. It is ill fitting. Uncomfortable.
I want to shrug it off; to throw it in the cupboard and take back my well-tailored clothes. I didn't want to leave my old life, but I'm hopeful for my next one-hopeful I can become someone beautiful and vibrant. For now, I am trapped.
Between lives.
In limbo.
They say sudden good-byes are easier. Less painful. They're wrong. Any pain saved from the lingering good-byes of a drawn-out illness is offset by the horror of a life stolen without notice. A life taken violently. On the day of my death I walked the tightrope between two worlds, the safety net in tatters beneath me. This way safety; that way danger.
I stepped.
I died.
We used to joke about dying-when we were young enough, still vital enough, for death to be something that happened to other people.
"Who do you think'll go first?" you said, one night when the wine had run dry and we lay by the electric fire in my rented Balham flat. An idle hand, stroking my thigh, softened your words. I was quick to answer.
"You, of course."
You aimed a cushion at my head.
We'd been together a month; enjoying each other's bodies, talking about the future as though it belonged to someone else. No commitment, no promises-just possibilities.
"Women live longer." I grinned. "It's a well-known fact. Genetic. Survival of the fittest. Men can't cope on their own."
You grew serious. Cupped my face in your hand and made me look at you. Your eyes were black in the half-light; the bars of the fire reflected in your pupils. "It's true."
I moved to kiss you but your fingers held me still; pressure on my chin as your thumb pushed against bone.
"If anything happened to you, I don't know what I'd do."
The briefest chill, despite the fierce heat from the fire. Footsteps on my grave.
"Give over."
"I'd die, too," you insisted.
I put a stop to your youthful dramatics then, reaching to push aside your hand and free my chin. Keeping my fingers tangled with yours, so the rejection didn't sting. Kissing you, softly at first, then harder, until you rolled backward, and I was lying on top of you, my hair curtaining our faces.
You would die for me.
Our relationship was young; a spark that could be snuffed out as easily as coaxed into flames. I couldn't have known you'd stop loving me; that I'd stop loving you. I couldn't help but be flattered by the depth of your feeling, the intensity in your eyes.
You would die for me, and in that moment, I thought I might die for you, too.
I just never thought either of us would have to.
CHAPTER
TWO
Anna
Ella is eight weeks old. Her eyes are closed, long dark lashes brushing apple cheeks that move up and down as she feeds. One tiny hand splays across my breast like a starfish. I sit, pinned to the sofa, and think of all the things I could be doing while she feeds. Reading. Watching television. An online food shop.
Not today.
Today is not a day for the ordinary.
I watch my daughter, and after a while her lashes lift and she fixes navy eyes, solemn and trusting, on me. Her pupils are deep pools of unconditional love, my reflection small but unwavering.
Ella's sucking slows. We gaze at each other, and I think how motherhood is the best-kept...
المراجعات-
February 5, 2018 This taut, emotionally complex thriller from British author Mackintosh (I See You) centers on 26-year-old new mother Anna Johnson. Anna’s father, Tom, jumped off the cliff at Beachy Head, England; seven months later, Anna’s mother, Caroline, followed suit. The coroner’s suicide decrees have always bothered Anna, and her doubts only deepen when, on the first anniversary of Caroline’s death, someone sends a card that reads, “Suicide? Think again.” Anna’s partner, Mark Hemmings, dismisses the message as a cruel joke, but Anna becomes convinced that Caroline was murdered. Her theory captures the interest of Murray Mackenzie, a retired detective turned civilian desk clerk at the Lower Meads police station, but when Murray begins an unofficial investigation and Anna starts receiving anonymous threats, she must decide whether the truth means more than her baby’s safety. Mackintosh cleverly subverts readers’ expectations while capitalizing on the complicated nature of parent-child relationships. Shocking twists share the page with meditations on love, loss, marriage, and mental illness, and though not every revelation feels earned, the overall story amply satisfies. Author tour. Agent: Sheila Crowley, Curtis Brown (U.K.).
Starred review from March 1, 2018 Anna Johnson's parents committed suicide within months of each other, diving from the same cliff near Eastbourne, England. A year later, Anna is struggling to reconcile her grief with the joys of new motherhood when she receives an anonymous letter: Suicide? Think again. It's all Anna needs to fly to the police station; she's always known that her parents weren't suicidal. Murray Mackenzie, a retired detective volunteering at the station's front desk, is unable to ignore his twitching intuition at hearing Anna's story. Technically, the note doesn't present a crime, so Murray isn't required to report it to CID. It can't hurt, however, for a seasoned detective to take another look at the suicides. Murray's hunt for the truth catches a killer's attention, and Anna is drawn into protecting newly discovered family secrets. Despite Anna's pleas, Murray can't turn away from the investigation; it's forged a connection with his wife outside of their never-ending struggles with her mental illness, as her incisive questions guide his instinct-driven detecting. Mackintosh's three bar-raising psychological thrillers (starting with I Let You Go, 2016) have proven her adept at crafting compellingly flawed, authority-bucking characters and creating twists from the ripple effects of their relationships and personal issues, including abuse, mental illness, and alcoholism. This one's perfect for Kate Atkinson and Tana French readers.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)
October 15, 2017
Mackintosh, who debuted with the award-winning I Let You Go, which has sold over a million copies worldwide, gets her first simultaneous UK-U.S. publication with this story of a new mother struggling to comprehend her parents' recent dual suicide.
Copyright 2017 Library Journal, LLC Used with permission.
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Penguin Publishing Group
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