مقتطفات-

• From the cover PROLOGUE • JULY 1956
  
  Darlington Hall
  
  It seems increasingly likely that I really will undertake the expedition that has been preoccupying my imagination now for some days. An expedition, I should say, which I will undertake alone, in the comfort of Mr Farraday's Ford; an expedition which, as I foresee it, will take me through much of the finest countryside of England to the West Country, and may keep me away from Darlington Hall for as much as five or six days. The idea of such a journey came about, I should point out, from a most kind suggestion put to me by Mr Farraday himself one afternoon almost a fortnight ago, when I had been dusting the portraits in the library. In fact, as I recall, I was up on the step-ladder dusting the portrait of Viscount Wetherby when my employer had entered carrying a few volumes which he presumably wished returned to the shelves. On seeing my person, he took the opportunity to inform me that he had just that moment finalized plans to return to the United States for a period of five weeks between August and September. Having made this announcement, my employer put his volumes down on a table, seated himself on the chaise-longue, and stretched out his legs. It was then, gazing up at me, that he said:
  
  'You realize, Stevens, I don't expect you to be locked up here in this house all the time Γm away. Why don't you take the car and drive off somewhere for a few days? You look like you could make good use of a break.'
  
  Coming out of the blue as it did, I did not quite know how to reply to such a suggestion. I recall thanking him for his consideration, but quite probably I said nothing very definite, for my employer went on:
  
  'I'm serious, Stevens. I really think you should take a break. I'll foot the bill for the gas. You fellows, you're always locked up in these big houses helping out, how do you ever get to see around this beautiful country of yours?'
  
  This was not the first time my employer had raised such a question; indeed, it seems to be something which genuinely troubles him. On this occasion, in fact, a reply of sorts did occur to me as I stood up there on the ladder; a reply to the effect that those of our profession, although we did not see a great deal of the country in the sense of touring the countryside and visiting picturesque sites, did actually 'see' more of England than most, placed as we were in houses where the greatest ladies and gentlemen of the land gathered. Of course, I could not have expressed this view to Mr Farraday without embarking upon what might have seemed a presumptuous speech. I thus contented myself by saying simply:
  
  'It has been my privilege to see the best of England over the years, sir, within these very walls.'
  
  Mr Farraday did not seem to understand this statement, for he merely went on: Ί mean it, Stevens. It's wrong that a man can't get to see around his own country. Take my advice, get out of the house for a few days.'
  
  As you might expect, I did not take Mr Farraday's suggestion at all seriously that afternoon, regarding it as just another instance of an American gentleman's unfamiliarity with what was and what was not commonly done in England. The fact that my attitude to this same suggestion underwent a change over the following days — indeed, that the notion of a trip to the West Country took an ever-increasing hold on my thoughts — is no doubt substantially attributable to — and why should I hide it? — the arrival of Miss Kenton's letter, her first in almost seven years if one discounts the Christmas cards. But let me make it immediately clear what I mean by this; what I mean to say is...

نبذة حول المؤلف-

• Kazuo Ishiguro is the 2017 winner of the Nobel Prize in Literature. His work has been translated into more than 40 languages. Both The Remains of the Day and Never Let Me Go have sold more than 1 million copies, and both were adapted into highly acclaimed films. Ishiguro's other work includes The Buried Giant, Nocturnes, A Pale View of the Hills, and An Artist of the Floating World.
  
  Nicholas Guy Smith is an award-winning audiobook narrator and a much sought-after voice actor for film trailers, commercials, and documentaries. He has voiced characters for Disney, Warner Bros., Universal, and the Cartoon Network. A postgraduate of Cambridge University, he resides in Los Angeles.

المراجعات-

• 

  September 12, 1990
  Stevens, an elderly butler who has spent 30 years in the service of Lord Darlington, ruminates on the past and inadvertently slackens his rigid grip on his emotions to confront the central issues of his life. PW called this Booker Prize-winner ``a tour de force--both a compelling psychological study and a portrait of a vanished social order.'' Author tour.

• Stevens, the repressed and self-denying butler at the center of this audiobook, is in some ways one of the most appalling protagonists in all of literature. Not until close to the end does he allow himself to show, or have, an emotion. Nicholas Guy Smith's narration captures the persona that Stevens has constructed without making it completely monochromatic. The novel is the story of a quest for a woman whom Stevens has driven away, and Smith does it full justice. Stevens comes across as a fascinating monster, utterly heedless of the consequences of his actions and incapable of authentic human relationships. Smith brings him to existence, if not exactly life, and brings the listener to understanding, if not quite sympathy. D.M.H. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
• 

  September 1, 1989
  Greeted with high praise in England, where it seems certain to be shortlisted for the Booker Prize, Ishiguro's third novel (after An Artist of the Floating World ) is a tour de force-- both a compelling psychological study and a portrait of a vanished social order. Stevens, an elderly butler who has spent 30 years in the service of Lord Darlington, ruminates on the past and inadvertently slackens his rigid grip on his emotions to confront the central issues of his life. Glacially reserved, snobbish and humorless, Stevens has devoted his life to his concept of duty and responsibility, hoping to reach the pinnacle of his profession through totally selfless dedication and a ruthless suppression of sentiment. Having made a virtue of stoic dignity, he is proud of his impassive response to his father's death and his ``correct'' behavior with the spunky former housekeeper, Miss Kenton. Ishiguro builds Stevens's character with precisely controlled details, creating irony as the butler unwittingly reveals his pathetic self-deception. In the poignant denouement, Stevens belatedly realizes that he has wasted his life in blind service to a foolish man and that he has never discovered ``the key to human warmth.'' While it is not likely to provoke the same shocks of recognition as it did in Britain, this insightful, often humorous and moving novel should significantly enhance Ishiguro's reputation here.

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