OverDrive would like to use cookies to store information on your computer to improve your user experience at our Website. One of the cookies we use is critical for certain aspects of the site to operate and has already been set. You may delete and block all cookies from this site, but this could affect certain features or services of the site. To find out more about the cookies we use and how to delete them, click here to see our Privacy Policy.
Compelling, exotic, and suspenseful, Heart of Darkness is far more than just an adventure story. The novel explores deep into the dark regions of the hearts and souls of its characters and into the conflicts prevalent in more "primitive" cultures. It is also a striking picture of the moral deterioration that can result from prolonged isolation.
Marlow, the story's narrator, tells his friends of an experience in the Congo where he once ran a river steamer for a trading company. He tells of the ivory traders' cruel exploitation of the natives there. Chief among these is a greedy and treacherous European named Kurtz, who has used savagery to obtain semidivine power over the natives. While Marlow tries to get Kurtz back down the river, Kurtz tries to justify his actions, asserting that he has seen into the very heart of things.
Compelling, exotic, and suspenseful, Heart of Darkness is far more than just an adventure story. The novel explores deep into the dark regions of the hearts and souls of its characters and into the conflicts prevalent in more "primitive" cultures. It is also a striking picture of the moral deterioration that can result from prolonged isolation.
Marlow, the story's narrator, tells his friends of an experience in the Congo where he once ran a river steamer for a trading company. He tells of the ivory traders' cruel exploitation of the natives there. Chief among these is a greedy and treacherous European named Kurtz, who has used savagery to obtain semidivine power over the natives. While Marlow tries to get Kurtz back down the river, Kurtz tries to justify his actions, asserting that he has seen into the very heart of things.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Joseph Conrad (1857 - 1924) is regarded as one of the greatest novelists of the English language. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe. His narrative style and anti-heroic characters have influenced many authors, including T.S. Eliot, William Faulkner, and Graham Greene. Many films have been adapted from, or inspired by, Conrad's works, including Francis Coppola's Apocalypse Now, which was inspired by Heart of Darkness.
Reviews-
Conrad's heavily atmospheric story of greed and evil is perfectly suited to audio performance since it is Marlow's voice that relates the horror of the journey down the Congo River. Richard Thomas's reading is on an even level throughout the telling, but the timbre of his voice of his voice may be too slight to lead listeners into Conrad's terrifying wilderness. Thomas's performance does not stand up well when compared to other productions. B.V. (c)AudioFile, Portland, Maine
In HEART OF DARKNESS, Marlow, the narrator, undertakes both an outer and an inner journey. The outer journey takes him into the heart of Africa, where he encounters representatives of every colonial stripe. Performing the work instead of simply reading it, Scott Brick emphasizes this aspect of Conrad's classic, clearly conveying class differences and a range of foreign accents, as well as pidgin. Conrad's prose is dense and complex, but Brick delivers it smoothly and gracefully. However, Marlow's inner journey--during which he confronts the mysterious Mr. Kurtz--remains too distant and intellectualized to fully capture the emotional charge of the moment. G.T.B. (c) AudioFile 2003, Portland, Maine
Conrad's heavily atmospheric story of greed and evil is perfectly suited to audio performance since it is Marlow's voice that relates the horror of the journey down the Congo River. Jack Sondericker's rumbling and intense interpretation is compelling. Sondericker's narration exudes force and intensity, which pull the listener into the horror of Marlow's journey from innocence to the comprehension of evil. B.V. (c)AudioFile, Portland, Maine
Conrad's famous and influential short novel takes us up an African river with Marlow, who is searching for Kurtz, a colonial administrator in trouble. With his deep, resonant voice, David Horovitch could make the tax code intriguing. He gives each aspect of the story--from its "frame" in England, through its central horror in Africa, to its European coda--subtle and tactful treatment, giving now politically incorrect comments on colonialism, for example, just the right light turn. His voice fits the somber grimness of the story, while giving it its proper touch of the absurd. Only when he must provide other voices--that of Kurtz and especially that of Kurtz's Russian companion--is he a bit less than convincing. Still, this is an absorbing performance of a key work in twentieth-century literature. W.M. (c) AudioFile 2010, Portland, Maine
The horror! The horror! In this brooding and justly celebrated novella of 1902, seaman Charles Marlow is cruising quietly down the Thames at dusk with some friends. As night begins to fall, he tells them of his harrowing journey down an African river in search of the unscrupulous and near-legendary ivory trader named Kurtz, a quest deep into inky spiritual and symbolic darkness. Acclaimed Irish actor/director Kenneth Branagh impersonates Marlow in this recording. Admirably, while fully playing the drama, he never goes overboard. He plays the tale for the great yarn that it is. But had he taken more cognizance of its trajectory and subtleties, he would have made the listening experience far richer than he has. Y.R. (c) AudioFile 2011, Portland, Maine
Please update to the latest version of the OverDrive app to stream videos.
Device Compatibility Notice
The OverDrive app is required for this format on your current device.
Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
You've reached your library's checkout limit for digital titles.
To make room for more checkouts, you may be able to return titles from your Checkouts page.
Excessive Checkout Limit Reached.
There have been too many titles checked out and returned by your account within a short period of time.
Try again in several days. If you are still not able to check out titles after 7 days, please contact Support.
You have already checked out this title. To access it, return to your Checkouts page.
This title is not available for your card type. If you think this is an error contact support.
There are no copies of this issue left to borrow. Please try to borrow this title again when a new issue is released.
| Sign In
You will be prompted to sign into your library account on the next page.
If this is your first time selecting “Send to NOOK,” you will then be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."
The first time you select “Send to NOOK,” you will be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."
You can read periodicals on any NOOK tablet or in the free NOOK reading app for iOS, Android or Windows 8.
Conrad's heavily atmospheric story of greed and evil is perfectly suited to audio performance since it is Marlow's voice that relates the horror of the journey down the Congo River. Richard Thomas's reading is on an even level throughout the telling, but the timbre of his voice of his voice may be too slight to lead listeners into Conrad's terrifying wilderness. Thomas's performance does not stand up well when compared to other productions. B.V. (c)AudioFile, Portland, Maine
