October 1, 2003
Bah, humbug! Just in time for the holidays, actor Jim Dale reads a new, unabridged version of A Christmas Carol by Charles Dickens. It's a natural extension for Dale, who is the voice of the Harry Potter audiobooks and who also takes the stage in New York City later this month as Scrooge in A Christmas Carol: The Musical. The audiobook, for which Dale created 23 voices, is available on both CD and cassette. Watch for Dale as Scrooge on a float in the Macy's Thanksgiving Day Parade, too.

Starred review from August 27, 2007
Dickens's classic holiday tale, like many cultural touchstones, often falls into the trap of perennial reinterpretation. First aired in 1990 but only now available on CD, NPR's presentation serves to place the familiar story back in its historical context. NPR News anchor Susan Stamberg's introduction, along with background information in the liner notes, offers valuable insights regarding both Dickens's gritty backdrop and his role in reviving Christmas traditions otherwise forgotten amid rapid urban industrialization. The script being performed is the same one Dickens used to use at readings. Comedy legend Winters, who serves as narrator while also performing all of the male roles, juggles his duties seamlessly and demonstrates remarkable dramatic range. His portrayal of Scrooge before the ghostly visitations evokes discernable pain and loss beyond the over-the-top antics of an ogre figure. Veteran actress Mimi Kennedy voices the female parts with gusto. With its quality production, attractive price and one-hour length, this release offers the perfect gift and establishes a festive new annual ritual for families to share.

October 26, 2009
Helquist's vision of the classic story depicts a hawkish Scrooge (who's a cadaverous shade of green) against a backdrop of bustling Victorian streets, with pleasing touches of detail, humor and a few frightful strokes. When the clock strikes one, announcing the arrival of the first ghost, the moon hangs in an unholy green sky, and the Ghost of Christmas Yet to Come stands in a tattered cloak, surrounded by eddying mists (but also draped with strings of Christmas lights). The eye-catching art makes a strong pairing to the accessible abridgment of Dickens's text. Ages 5–up.

Starred review from December 21, 2009
This reissued recording of Stewart's touted Broadway performance might prove to be the enduring interpretation of Dickens's beloved tale of the miserly Ebenezer Scrooge and the ghosts of past, present, and future who catalyze his transformation. In a production stripped of sound effects, Stewart's theatrical talents take center stage. Reading with a voice that it is at once commanding and fragile, he creates a Scrooge of unexpected complexity and pathos. A spare and dazzling listen that might be the best rendition of the classic since the 1951 Alistair Sim production.

September 1, 2001
Lisbeth Zwerger's glorious watercolors for Charles Dicken's A Christmas Carol, first published in 1988, once again prove that she is as adept at creating the terrifying image of Christmas Yet to Come as she is showing the miraculous transformation of Scrooge.

September 29, 1986
Purists may object to this careful abridgement of the holiday classic, aimed at young readers who may not have someone around to read the original out loud. Mayer has retained much of the language of Dickens's work, making sensitive cuts in the text and adding lavish paintings of 19th century England. The charactersmice, rabbits, a reptilian Ghost of Christmas Yet to Comewill draw the youngest pre-Dickensian into the story. The gloomy mood of Scrooge's Christmas Eve gives way to warm, welcoming tints the morning after he is visited by the three Spirits and has learned his lesson. It's a charming alternative to most of the TV adaptations that appear throughout December. (All ages

November 3, 1988
A well-loved holiday story, Dickens's slim tale has been opened up on the oversize pages of this new version, similar in format to Zwerger's treatment of The Gift of the Magi. Expanses of white space around and between lines of text give the volume a clean-looking design, which sets off the artist's charm-filled, airy watercolors. And that design is of key importance to the unabridged text, for the book appears accessible to readers just out of the picture book age. This is a fine collector's edition as well; Zwerger has chosen not to represent the three spirits of Christmas, but merely hints at their presence in her pictures. That grounds the story of Scrooge's night firmly in the realm of the almost-real and the possible, and renders his transformation a fully believable phenomenon. Ages 10-up.

August 29, 1990
Few of the many interpretations of Dickens's holiday parable can match this handsome edition for atmosphere, mood and sheer elegance. Innocenti's full-page watercolors are striking, full-bodied evocations of 19th-century London, particularly the life and vigor of the city's streets: merchants sell their wares, urchins tumble and play, the gentry ride in their carriages, and the destitute huddle in doorways and keep warm at makeshift stoves. At the same time, the paintings' realism, dramatic intensity, occasional luminosity and almost microscopic observation of detail strongly recall the exquisite art of the Italian Renaissance. Their stateliness is carried through in the book's design: each page of text is boxed with fine sepia rules, overlaid with a delicate, gradually fading wash, and topped by a single, modest ornament. The effect suggests an old manuscript or parchment--one that, every so often, opens a splendid pictorial window on the world of this classic narrative. For all its elegance, however, this is a somber and unsentimental view of Dickens's world. The beautiful and the sordid, the good and the malevolent, are never far apart--a concept that is powerfully suggested through the frequent use of high, oddly angled perspectives, as if readers, along with Scrooge and the spirits, are privy to telling glimpses of life skimmed from above. All ages.